Click Match Source – High bitrate (blue text) to open the Export Settings panel. ), encoded frame size (1920-by-1080, 1280-by-720, etc. 7K 6:5 anamorphic) Blackmagic RAW 3:1 -. In an ideal world, if by “better” we mean “better picture quality for a given bitrate,” H. To record videos in ProRes on your iPhone, go to Settings > Camera > Formats, then turn on Apple ProRes under Video Capture. 2. Using the ProRes codec as an intermediate, especially the higher bitrate version, isn't going to sacrifice much quality. At a 10k view - h. 03 lb without the body cap and the CFexpress Type B media card. Here's a step-by-step approach for exporting with the H. Video formats: Apple ProRes HQ, 422, LT AVID DNxHR HQX. 5Mbps, different resolutions, file sizes between 10-30MB…no change. Is such a high bitrate really necessary that generates such a large file?On paper, the Fujifilm X-H2S is a beast. Footage by Neumann Films. 01-03-2023 12:43 PM - last edited 01-03-2023 12:54 PM. 63 MB/s Apple ProRes 422 LT - 54. YouTube favours 4K. Single Apple ProRes. The Z9 will also get a waveform monitor, red display. ALAC). The whole point of the h265 codec is to have a good image quality within a tiny file. The youtube-dl info shows that the 4K UHD VP9 file was 8Mbps compared to the 1080p file being 1 Mbps. 264 if you used that instead, but it's much easier to work with. Use the H. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. ProRes. ProRes 4444 XQ takes this further by using even less compression. But should you find that you are low on storage space, then you have the option to use. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic. 264 format in the Preset menu: Match Source - Adaptive High Bitrate. About Apple ProRes. Codec: Short for coder decoder, a codec is the recipe for how the data in your video is compressed. The CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5. 97 fps. So we’ve scoured the Internet and brought them all into a single page. Try shooting in: - 4K DCI - - Ultra HD -The Panasonic Lumix S5IIX is essentially the same camera as the S5II, but it has a few key upgrades specifically designed for professional video shooters. 976, 29,97, etc. 26. This ffmpeg command: ffmpeg -i input. Typically, for postings, I will send people 720p . Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of 500 Mbps. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. A variety of codecs are supported as well, including H. From Apple’s documentation: “The Apple ProRes format has a target data size for every frame, regardless of complexity, but allows frames to fall short of that target if they are simple (if. Key Features. 97fps comes in at 220 Mbits/second. For ProRes, follow the standard presets in your video editor to export your file. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. For example, ProRes HQ for 1080p at 29. Apple's white paper says it should be 1061Mbps. Some banding and blocking. One of the main differences is the ability to capture 8K ProRes Raw up to 29. prores seems to show less. The actual bit rate in a ProRes recording varies depending on the recording format (FPS & resolution) and a scene's content. The bitrate is around 150mbps. The higher the better, up to a max limit of maybe 100Mbit/s. ). Apple's white paper doesn't list that frame size exactly, but for 2048x1080, it says the data rate should be 453Mbps (ProRes XQ no alpha). It is not just 12 bit. Look at this quick image from a quick test I did. . When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. " Select "Formats" at the top. 264 or H. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. 63 MB/s Apple ProRes Proxy - 24. Vashi Nedomansky, ACE. Custom value for the bitrate the encoder tries to average throughout the video, in Mbps. 7K at 30p ProRes 422 HQ and C4K at 60p ALL-I. Luckily ProRes works well enough. The best 4K export settings in DaVinci Resolve – for YouTube, choose “H. 7GB in. Y si le. 264 into these decks. Filmic Pro gives you the option to record in either 709 or 2020 color space when recording to ProRes. YouTube used to publish settings for people with Enterprise class connections - the 1080 size was 50Mb/s (They suggest 8Mb/s for 1080 as a minimum. The new Z8 packs in a lot of the same features and functionality as the Z9 which certainly. The Canon Final Cut Pro plug-in v1. ProRes 422 LT Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. ProRes 2K 2048 1152 2048 1152 2048 1152 12,44 7,00 0. 88 120. 264/H. 264, you need a much higher bitrate. Then you find a nice lossless codec (prores for example) or an "ok" codec (h. 27 Jun, 2014. 2K and 4K up to 30p from 14-bit readout, rather than 12-bit mode on previous cameras, meaning the. 5:1. 7-Stop In-Body Image Stabilization. ProRes supports different data rates and different resolutions (from SD to Ultra HD). It'd at least be a lower bitrate than the other ProRes flavors, which would help reduce storage space requirements for your proxies. Further information is available in the libvpx API documentation. With ProRes RAW, you can import, edit, and grade video with RAW data straight from your camera sensor — without slowing down your edit. 97 30 47. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation modeFile Size: Length (HH:MM:SS:FF): Length in Minutes: Length in Frames: 35mm 4P (Feet+Frames): 35mm 3P (Feet+Frames): 35mm 2P (Feet+Frames): 16mm (Feet+Frames):On average, one hour of HD footage (ProRes 422) requires approximately 51GB of storage; or roughly 850MB per minute. QUICKTIME (PRORES 422/HQ or 444) QUICKTIME (DNxHD for 720p/1080p or DNxHR for 4K+) These codecs will most likely be higher bitrate than your footage, so while it won't improve your actual footage, it will allow more flexibility when working with your footage. p. Recording 4K ProRes files requires 4K and above formats in 17:9. The prores on iPhone seems to almost be more of a ‘flex’ feature than a practical one. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. 264/H. ProRes isn’t a single video codec but rather a family of six standards of varying quality. This parameter determines the quality of the resulting prores movie - both the resulting size and bitrate. Choose device or format, and then select the specific device or format type. ) YouTube will also allow codecs like ProRes (Mezzanine/Post codecs) - which are even larger. H264 options have been severely degraded, as well as as H265 output (using crappy NVENC, instead of allowing quality output). KNOWN BUGS / LIMITATIONS : OSX : When exiting the AfterCodecs options dialog, the UI freeze for a few seconds. Looking for good quality, but within reason. Initially, H. La misma app Cámara indica, cuando activamos el modo ProRes, la. Log ProRes clip in a sequence with Maximum Bit Depth on. 97 fps. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes variants are – ProRes also has the benefit of coming in two main formats; 4:4:4: and 4:2:2. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. You can change color temp, tint, ISO in braw. Huge files and not the best format out there, but I can always downgrade it with a video edit software later. But if your camera offers it, it also allows recording of a Raw signal that can be recorded as the ProRes Raw format for the ultimate in quality. The ProRes RAW HQ is 3-to-1 compression, and the ProRes RAW, the base one, is 5-to-1. 25 MB/s. Number of simultaneous 4K streams ProRes RAW also supports accelerated reduced-resolution decoding Apple ProRes. But, it can go up a bit or down a bit, in that range. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 -. But that's 4K; the bitrate you mention for Prores Proxy and LT. Unlike the H. At 500 Mbps, the SSIM and PSRN averages are only 0. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. . And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. Apple ProRes 422, with roughly 70 percent of the data rate and. In general, the lower the bit rate, the smaller the file size, and, potentially, the lower the. There are many implementations of XAVC, I've included popular modern variations here. Raw video playback requires not only decoding the video bitstreamStandard Encoder supports carrying the following audio formats in input containers: MXF, GXF, and QuickTime files, which have audio tracks with interleaved stereo or 5. 264, MPEG/4, HEVC or any other highly-compressed format, edit and export a master file using ProRes 422. 4. PRORES Compression Bit Rate File Size. 4. Any ideas? - 11112615To shine, it needs a high Bitrate. regardless of whether you are recording ProRes or Blackmagic RAW. 5 Mb/s Frame rate : 59. 16:9. When disabled, Premiere Pro chooses the appropriate keyframe distance based on the export format and. 3. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. Image courtesy: FiLMiC Pro Intra-frame codec. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a. Als Codec-Technologie mit variabler Bitrate (VBR) verwendet Apple ProRes weniger Bits auf einzelnen Bildern, bei denen eine Codierung mit einer höheren Datenrate nicht von Vorteil wäre. Then tap Formats, and within this sub-menu you'll see a section for Video Capture. Note that 8 bits (Mb) = 1 Byte (MB). Target Bitrate: 14. 264, HEVC/H. Please Note: Apple ProRes is a variable bitrate codec, therefore a longer recording time than initially indicated on the camera may be possible. Maximum Bitrate: 16. You won't want less than ProRes 422 HQ for final results anyway. In my experiments, I could get about 6 streams of ProRes on my drive, while I could run 20 streams of MPEG2 intraframe at a. Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. Mejor formato de video para subir a YouTube. 264. modes. After choosing a device or format, the resolution, frame rate, frame size, bit rate, and bit/pixel would be set as the default. File. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. 264 to download, but if your drives are fast enough it'll be a much better. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. Drives can have much faster write rates for the first few hundred MB of a given write, but then drop to their typically slower, sustained write speed. Apple may provide or recommend responses as a possible solution based on the information provided; every potential issue may involve several factors not detailed in the conversations captured in an electronic. Translate. The bitrate is controlled by bits_per_mb parameter which specifies how many bits to supply for coding one MB. Usb-c/thunderbolt would have been nice to save footage directly to external drives, but even then. 265, or even moreso a lossless codec like cineform or prores) then using x265 will give a visually superior output than x264 will for the same. If video quality is your number one priority, then by all means, upload ProRes, DNxHD or uncompressed HD video files. 264, ProRes 422, ProRes 422 HQ, while popular containers include MP4, MOV and AVI. Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT, with resolutions up to 4K (4096 x 2160) Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) Construction. And the Quicktime grouped with "mp4" at the bottom is the h264 codec - don't use that one. The bitrate you should use to record at OBS for high quality will depend on factors such as your internet connection, hardware capabilities, and desired output quality. 00p, 25p, and 29. Along with 8K60p, the Z8 supports 4K capture at up to 120fps and 10-bit ProRes, H. Weight. 88 MB/s Apple ProRes 422 - 78. Since the color space of Standard Definition tends to be 4:1:1--formats like H. Apple ProRes 422보다 압축률이 높은 코덱으로 442. 264, you need a much higher bitrate. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. The iPhone 13 Pro and 13 Pro Max are the first phones to support the Apple ProRes video codec. Apple ProRes 4444. Bitrate in Prores . The following chart is from the ProRes White Paper that. FYI ProRes is not a lossless codec. I have not heard it mentioned in reviews that there is a setting in the camera app to. Bitrate Encoding: VBR, 2 pass. Performance may vary based on system configuration, media type, and other factors. Each variant is named according to bitrate and bit depth, so for example DNxHD 120 means it's a 120 Mb/s 8-bit codec and DNxHD 185x means it's a 185 Mb/s 10-bit codec (the x indicates 10-bit). That sound like 90s to me. Use an intermediate codec like ProRes, DNxHD or Cineform. All of these variants are in 10-bit and will offer 4:2:2 chroma subsampling with all-intra encoding. ProRes 422LT. ProRes RAW also provides maximum flexibility for adjusting the look of your video while extending brightness and shadows. NTSC: 720 x 480 or 720 x 486 1. But I'm not sure you can really see a difference with your own eyes. 8Easy Online Video Size Calculator [4K Included] How-To Guide: 1. If you carefully read the ProRes White Paper you can see why this is true. The same limitation applied to iPhone 13 Pro and iPhone 14 Pro models with 128GB of storage, but those devices cannot record ProRes video to external storage, so at least iPhone 15 Pro users have. However, there are six versions of ProRes, each of which vary in bit rate (and file size). Despite the additional computational demands of raw video editing, ProRes RAW brings to raw video the same first-rate performance and ease of editing that ProRes has brought to conventional video. As a variable bit rate (VBR) codec technology, Apple ProRes uses fewer bits on simple Apple ProRes 422 HQ video, and 19 streams of Apple ProRes 4444 video, all at 4096x2160 resolution and 59. MP3 for Audio Podcasting. Q0. 4 MB/s. Apple limita la grabación de vídeo en 4K con ProRes: estará disponible solo en los iPhone 13 Pro con más almacenamiento. alpha test. 976 24 25 29. , YouTube, OTT, broadcast) then at that. ProRes Proxy files are recorded in 2K for 17:9 formats and in HD for all others. 264 into these decks. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. This is a beastly codec that chews through storage on high-end professional. 264 files. 97fps comes in at 220 Mbits/second. In real life and depending on the visual complexity of your video your actual datarate will vary and generally not hit the maximum of 220Mb/s. 88 MB/s Apple ProRes 422 - 78. It’s called ProRes 4444 XQ and it’s a mother-scratching beast. 265. The target data rates given are all for 1920 x 1080 video at 29. For more information on codecs check out the Videomaker guide What is a CODEC. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a smaller version of larger files like ProRes HQ. In 2007, Apple introduced the Apple ProRes codec family, providing an unparalleled combination of real-time, multistream editing performance, impressive image-quality. ProRes protects the image quality of the video while allowing for fast encoding and decoding. 264 variants can look better at a given bit rate. Tap and choose your preferred resolution and FPS from the options at the top of your screen. While you would get slightly longer recording times at those bitrates, it wouldn't be significantly longer. 264. Pin. The actual bit rate may be slower than the selected value depending on the subject. This site contains user submitted content, comments and opinions and is for informational purposes only. profile <integer>: You can use this option to choose the ProRes profile to encode. As a variable bit rate (VBR) codec technology, ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. ProRes LT retains better overall image quality compared to ProRes Proxy as it includes every pixel in the clip and it doubles the bitrate of the latter. Target Bitrate: 14. 7K (Apple ProRes 422 LT). . I really wish Blackmagic would add a more compressed codec like a high quality h. Seriously. The bitrate of Prores HQ in 4K is just over 700Mbps. Match Source - Adaptive Medium Bitrate. ) If your video goes through several export steps, then h264 isn't really the codec for the job. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. 3840 x 2160 (Ultra HD) Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73. 5. XAVC, AVC Intra and AVC Ultra do support 10 and 12-bit encoding and I. The camera's other frame rates result in. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. This generally means that at the same bitrate, H265 will look better than H264. NRAW, if anything like BRAW should be significantly smaller than ProRes RAW. In October 2021 Nikon announced its flagship hybrid mirrorless, the Z9. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. About ProRes. 976 -codec:v prores -b:v 2000000k -profile:v 2 -codec:a pcm_s16le -filter_complex asetnsamples=n=16384:p=0 trailer6. But. Each flavor of ProRes features a higher bitrate, allowing users to make the trade-off between quality. ProRes 422 will probably do just fine, but if you have lots of storage space, then going up to ProRes 422 HQ will have a slight edge. Scroll down and select "Camera. 97 fps のソー スで約 147 Mbps です。 • Apple ProRes 422 LT：Apple ProRes 422 より圧縮率の高いコーデックで、データレートは約 70 % で、ファイルサイズは 30 % 小さくなっています。 *Selectable bitrate will be changed depends on the setting. 25 MB/s. Seriously. 4 MB/s. 264) Baseline, Main, High. The Cine version of the Mavic 3 records a ProRes 422 HQ video on a 1TB built-in SSD on top of the H. Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. It can also capture 12-bit ProRes RAW video. However you should try VLC. Photo Format; JPEG/DNG (RAW) Video Formats; Mavic 3: MP4/MOV (MPEG-4 AVC/H. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. ProRes accepts either a fixed bitrate with -b:v, or you can specify the profile, which should be a value between 0 and 3, where the bit rates are chosen according to the profile. Can’t find any details like this for Instagram though. (E. 265, LongGOP or All-I, 4:2:0 or 4:2:2, and 8 bit or 10 bit. of course pixel dimensions effect file size. What is ProRes RAW. I tried changing "-c:v prores_ks" to "-c:v prores", and the bitrate was substantially reduced to just about 1000Mbps. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. Also, 4K 30p requires an iPhone with 256GB, 512GB, or 1TB of storage. You can choose the encoder you want using the -vcodec option. ProRes. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. From empirical testing we've found that a qscale of 9 - 13 gives a good result without exploding the space needed too much. ProRes （プロレズ）は 不可逆 映像圧縮フォーマットである。 Appleによりポストプロダクションのために作られた。 8Kまでの解像度をサポートする 。 これはApple Intermediate Codecの後継として2007年にFinal Cut Studio 2と共に発表された。. Advanced Settings. It's still quite a lot bigger than DNxHR HQX (700Mbps), but moving in the right direction. And yes, with the right hardware and software you. ProRes is a codec technology developed by Apple for. You won't want less than ProRes 422 HQ for final results anyway. 264 format, it shows up with diagonal lines distorting it. Log ProRes clip in a sequence with Maximum Bit Depth off. FP let’s you take ProRes 4k60 fps at the expense of colorspace and your phone heating up 😅. 264’s more advanced processing does put it ahead, with much better minimum PSNRS (43. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. Atomos has already enabled full ProRes RAW plug-in support for these cameras in the current release firmware for Ninja and Shogun series devices. H. The ProRes files tend to be a bit smaller (particularly 422) than the ALL I. To record a ProRes video, tap ProRes in the Camera app, then record your video. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. Note the comparison to ProRes. Saturday September 10, 2022 3:31 pm PDT by Joe Rossignol. LATEST. Log ProRes clip in a sequence with Maximum Bit Depth off. No banding or blocking. You can make recordings at up to 30 fps in 4K and 60 fps in HD. The following chart is from the ProRes White Paper that Vishu linked to: 1920-by-1080 Apple ProRes 422 HQ at 29. Recording in H265 and transcoding to ProRes versus recording in ProRes. 1) can be deduced from the file metadata. At 5 minutes 31 second, IQ compared 4K vs 6. All of that new and efficient compression the CTUs bring. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. That'll take 12-36x longer than H. For example, I’ve found (per YouTube’s official guide) that 4k footage literally looks best when the bitrate is between 35-45Mbps. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. Internally, the LUMIX GH6 offers up to 5. Picture Quality. 264 didn't have 10-bit implementations and H. I'm very interested in knowing what type of compression black magic. More Data Always Means Better Video Quality. I really wish Blackmagic would add a more compressed codec like a high quality h. ProRes files are used because they are less hardware-intensive to edit compared to H. 264/H. Apple ProRes 4444 XQ — около 500 Мбит/с для источников с дискретизацией 4:4:4 с разрешением 1920 × 1080 и частотой кадров 29,97 кадр/с. Navigate in the Unreal Engine menu to Edit > Plugins, locate Apple ProRes Media in the Media Players section, and enable it. PICK THE BEST OPTION. Bit Rate will be determined by the external recording device. With the option to record in either H265 or various ProRes formats -- as H265 is very efficiently compressed in camera -- for a. For TV productions working in UHD, Alexa XT cameras and Classic cameras with an XR Module will be able to record ProRes 3. The 220 megabits per second referenced in the iTunes specs refer to the the maximum bitrate available for use by the Prores HQ codec. Ad creative should have sufficient bitrate such that encoding artifacts are not visible. In 2018, Apple unveiled ProRes RAW, applying its ProRes compression technology to the raw images captured by your camera. 264’s block-oriented motion compensation standard, H. Variable bitrate encoding; Normal 147 Mbit/s and High-Quality 220 Mbit/s and ProRes (LT) 100 Mbit/s as well as ProRes Proxy for HD 45 Mbit/s for HD resolution at 60i; Normal 42 Mbit/s and High-Quality 63 Mbit/s for SD resolution at 29. The firmware announcement makes no mention of regular, 16:9 UHD 4K resolutions ProRes or ProRes RAW, or of ProRes options for. 264 or H. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. ProRes 422 HQ with a maximum bitrate of 735Mbps at 4K. GOP Size or Keyframe Distance: Custom value for the interval between two full images. I also wouldn't transcode master files (ProRes or high bitrate H265 from camera) before editing. Source: X-OCN White Paper. Recording clips in Apple ProRes 4444 XQ preserves the full sensor quantization in logarithmic encoding, with the same range of colors available in ARRIRAW. Regular_Actuator408 • 7 mo. 709). . Fixed and readily defined. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. There's not much you can do if your file is damaged. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. 3728 x 3104 (3. Y si le. But not in ProRes. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Display Aspect Ratio. h. See moreLike standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. For high quality local recording one should use the best quality hardware encoder available (AV1 > HEVC > H. 265 (auto: bitrate) in the TVAI settings, if this is your final file you want to play on devices. avs -r 23. This is 3840x2160 ProRes 444. dividedby__ • 4 yr. Higher bitrate = better quality, but bitrate alone doesn't say much without also knowing what codec, resolution, and framerate you're using. ProRes will require the use of a CFexpress Type B Card. 5) and higher max PSNRs (57. ProRes is already diminishing return for playback. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. While the 12-bit footage provides a vivid and accurate representation of the blue and yellow colors in the background, the 10-bit video seems to display those colors in a. ) Assuming H264 is a more "efficient" codec, we are hoping. The quality of the ProRes is significantly higher than the LOG, seen in the face particularly. I’m liking oversampled 1080p Prores HQ, bitrate around 220mb/s but with that Prores mojo and editing performance. 264 codec. Video Space Calculator. Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance.